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WOOD CLAY TABLE
Sigve Knutson developed this project to explore how a designer might work if the qualities of drawing, without waning one’s original intuitions, were applied to the various phases of production. During the production process, the designer’s rich personal imagery is translated and transformed, smoothed and filtered. There is a gradual decline of the original intuitions. By connecting drawing to crafts, for instance, a new range of methods and ways of making objects emerges. Traces and marks from the production are left visible on the surface of the objects, making a stronger connection with the drawings. The intuitive and personal are not smoothed away, but they become the foundations from which objects are born.
in / 21H x 21D
cm / 55H x 55D
- Wood
- Clay
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WOOD CLAY TABLE
Sigve Knutson developed this project to explore how a designer might work if the qualities of drawing, without waning one’s original intuitions, were applied to the various phases of production. During the production process, the designer’s rich personal imagery is translated and transformed, smoothed and filtered. There is a gradual decline of the original intuitions. By connecting drawing to crafts, for instance, a new range of methods and ways of making objects emerges. Traces and marks from the production are left visible on the surface of the objects, making a stronger connection with the drawings. The intuitive and personal are not smoothed away, but they become the foundations from which objects are born.
in / 21H x 21D
cm / 55H x 55D
- Wood
- Clay
+852 3008 5615
E TAT FACTORY BUILDING | FLOOR 9 - UNIT A | NO.4 HEUNG YIP RD. | WONG CHUK HANG | HONG KONG
THE DESIGNER
Sigve Knutson
Oslo, Norway
Sigve Knutson (b. 1991, Norway) is an experimental designer based in between Oslo and Eindhoven. He obtained an MA in Contextual Design at Design Academy Eindhoven in 2016. His practice is motivated by a drawing mentality and a fascination for the intuitive and playful rather than the smoothened and planned. Through a series of methods and material combinations that allows for intuition and spontaneous actions, he aims to make his objects in the same free way as he would make a drawing.
Sigve Knutson explores materials and techniques that share the same qualities as his drawings. Hammering metal is a way to shape a flat sheet of any metal, he was interested in the act of using force to make something flat into a volume and using an outline as a mold to control the shape of the volume. Traces of the production become the surface of the objects as each piece is hand-hammered into its shape.
Scheibler Foundation Prize in Design, Fashion, Arts and Crafts (2023) .
Major Museum Exhibition
Recent exhibitions at Carwan Gallery (Athens, 2021),
Design Museum Gent (2020),
Sørlandets Kunstmuseum (Kristiansand, 2020), and
Gerhardsen Gerner (Oslo, 2022)
Email: info@carwangallery.com
Phone: +852 3008 5615
Website: Explore the collection on the Carwan Gallery Works page
RIMOWA X SIGVE RIMOWA X SIGVE
SLAB N.1 SLAB N.1
Hammered Aluminum Lamp Hammered Aluminum Lamp
WOOD CLAY CHAIR NO.2 WOOD CLAY CHAIR NO.2
SLAB #7 / TABLE STACKS SLAB #7 / TABLE STACKS
COLUMN SHELF N.3 COLUMN SHELF N.3
WOOD CHAIR WOOD CHAIR
Bench Bench
WOOD TRIPOD WOOD TRIPOD
WOOD COLUMN N.1 WOOD COLUMN N.1
RIMOWA X SIGVE RIMOWA X SIGVE
SLAB N.1 SLAB N.1
Hammered Aluminum Lamp Hammered Aluminum Lamp
WOOD CLAY CHAIR NO.2 WOOD CLAY CHAIR NO.2
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